Graphic

Discover 745 award-winning designs tagged Graphic on Design Manner.

Designer: Meng Shenhui Design: Brand Identity Tag: Graphic

Remaking Art

Remaking Art is a brand identity created for a culture communication company. The logo joins the initial letters R and A into a symmetrical mark, connected by lines that suggest a reflection in water. A horizontal line recalls a scale and is kept from the earlier logo to express fairness and integrity. The visual system uses lines to divide printed materials, packaging and interior displays, so the same look is held across different sizes and materials. The design conveys symmetry, integration and renewal.

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Designer: Li Tiebin Design: Logo and Visual Identity System Tag: Graphic

HEU 70th Anniversary

This design successfully showcases the 70 year development history of the school. Through data study and campus research, it innovatively employs the method of using totems to express the storyline of the narrative. It integrates elements of the school's historical culture and scientific research technology. The images are simplified into symbols and reorganized to convey the message. Combined with wavy lines, it forms a solemn 70 logo, enhancing readability in the design communication. It presents the school's unique charm and outstanding achievements to the world.

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Designer: Wu Yao Design: Illustrations Tag: Graphic

Dream Collection

Geziwo Park Series is a commercial illustration created for Geziwo Park. The long scroll artwork is divided into three parts. The first part, Night of Fantastic Animals, shows moonlight over a mysterious forest with many birds in flight. The second part, Dream, is filled with color and includes landmark buildings of Geziwo Park. The third part, Voyage, shows mermaid elves swimming in a blue ocean as a ship sails into the distance. The three parts can be used alone or together on postcards, posters and other items. The printed work measures 3.84 by 0.76 meters.

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Designer: Guo Kaixuan Design: Illustration Tag: Graphic

Printmaking Tibet

Printmaking Tibet is a set of illustrations that depicts Tibetan culture and landscape. The illustrations are drawn with graphic design software and follow a printmaking style. Subjects include the Potala Palace, yaks on the snowy plateau and the distant pilgrimage path. Traditional culture is combined with modern visual aesthetics to present the beautiful, remote and devout character of Tibet. Each image measures 3600 by 3600 pixels at 300 dpi. The illustrations can be printed on coated paper or cloth and applied to cultural products.

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Designer: Paul Robb Design: TYPE DESIGN AND SPECIMEN Tag: Graphic

FAFFIN FONT FAMILY

The Faffin font family is a versatile typographic language, offering two distinct styles, Faffin Sans and Faffin Display, designed to be used individually or in tandem, allowing for a seamless blend of contemporary aesthetics. Faffin Sans, inspired by the impartiality of Swiss-type design, this font is a meticulous fusion of contemporary shapes and curves. Faffin Display takes the concept of versatility to the next level as a variable font.

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Designer: Paul Robb Design: Type Design And Type Specimen Tag: Graphic

Hupla Typeface

Hupla emerges as a stylistic font family, meticulously crafted as a mechanical font within a precisely defined grid. This design philosophy extends its versatility, making it an ideal choice for application at various sizes, seamlessly transitioning between text and display settings. Enriched with a comprehensive set of OpenType stylistic features, Hupla becomes more than just a typeface; it transforms into a dynamic tool for creative expression.

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Designer: Wu Yao Design: Illustrations Tag: Graphic

Trip of Tea

Trip of Tea is a pair of illustrations created for a Chinese tea company. The two works are inspired by two historic tea transport routes, the Tea Road of Ten Thousand Miles and the Maritime Silk Road. A horse taken from the client logo appears as a messenger along each route. The form of each horse and the pattern on its saddle change to reflect the features of the destination city or region. Tea drinking scenes from different countries are included. The illustrations are hand drawn on a tablet and unfolded as a tiled reel that suits posters, postcards and other uses.

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Designer: Mengsheng Wang Design: Integrated Typeface Tag: Graphic

Rock Language Fonts

Rock Language Fonts is a typeface based on the Helan Mountain petroglyphs. Study of the rock carvings revealed motifs that resemble modern letterforms. These shapes were refined and unified into a single typographic system. The typeface keeps the organic forms and irregularities of the original carvings while remaining legible. The size of the letters can be adjusted for each use. The design presents ancient rock art as a shared visual language and links early symbols with contemporary graphic design and modern media.

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Designer: sxdesign Design: Logo And Corporation Identity Design Tag: Graphic

Restbase

Restbase is a logo and corporate identity design created for a brand focused on rest and recovery. The wordmark combines serif and sans serif letterforms with an intentional gap, balancing stability and flow. The RB monogram, derived from the wordmark, extends into angular framing patterns. Warm orange tones are paired with monochrome photography to express both energy and calm. Printing is carried out with high-quality methods on recyclable substrates. The identity presents rest as an active and disciplined practice rather than passive downtime.

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Designer: Bo Zhang Design: Branding Tag: Graphic

Chinatown Rebranding

Chinatown Rebranding is a visual identity and poster project created for the Chinatown district of Los Angeles, California. The new visual system represents the cultural heritage of the neighborhood. Design elements connect the historical significance of the old Chinatown with the modernity and revitalization of the new plaza. The graphics show the fusion of Chinese and American cultures and highlight the local identity. Each poster measures 24 by 36 inches. The project was completed in 2023 and follows research on the integration of Asian and North American cultures.

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Designer: Lance Francisco Design: Visual Identity Tag: Graphic

Base

Base is a visual identity for a brand of Chinese religious goods. The logo places the letter b within a woven structure inspired by Chinese knotting, an ancient folk art associated with unity and good fortune. Repeating woven patterns reflect the cyclical nature of belief. A palette of black, red and gold is calibrated for both print and digital use. The system includes a scalable logo, brand typography, custom patterns, packaging and website design. The aim is to keep tradition relevant for a new generation.

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Designer: Ying Gao Design: Brand Identity Tag: Graphic

Taishun City

Taishun City is a brand identity designed for a city. The logo is built from lines that form the city name, creating a modern and minimal mark. The white space inside the logo is treated as an open area where different urban visual symbols can be shown. The mark can be adapted through changes in line and shape, so recognition remains strong across many applications. Vector formats allow the logo to be scaled to any size, from business cards to outdoor advertising. Printed brand materials use recyclable and biodegradable stock.

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