Graphic

Discover 745 award-winning designs tagged Graphic on Design Manner.

Designer: Wu Yao Design: Illustration Series Tag: Graphic

Beijing Happy Valley

The two illustrations attempt to combine multiple styles such as New Chinese style and Pop. The project has too many elements and designers hope to put these elements in a reasonable and harmonious way within the same visual system. The other design style is bolder with more vivid color contrast on top of ensuring the completeness of the picture bringing greater visual impact to people. Designers made many attempts to visualize and reshape the two classic mythological stories of Qi Tian Da Sheng and Nezha Naohai and integrate them together.

Continue reading about Beijing Happy Valley Illustration Series

Designer: Paul Robb Design: Typeface Specimen Tag: Graphic

Aprex Family

Aprex font perfectly balances the minimalist qualities associated with contemporary sans with flair within the width of the counters and comfortable, breathable apertures. Throughout weights and sizes, the typeface has great legibility and good contrast between positive and negative space, making it stunningly versatile. With a seamless combination of contemporary details and classic styles, Aprex draws inspiration from the mid-century humanist and grotesques typefaces. Each weight includes more than 700 glyphs.

Continue reading about Aprex Family Typeface Specimen

Designer: WeinaXiao Design: Packaging And Posters Tag: Graphic

Chinese Style Coffee

Chinese Style Coffee is a series of illustrations created for a coffee bean brand and applied to packaging and posters. The illustrations combine coffee culture with traditional Chinese culture. Characters from Peking Opera and Chinese swordsmen replace the usual figures of coffee advertising. The poses come from Peking Opera performance and recall the gesture of lifting a coffee cup. Each illustration is drawn in a pencil style with the Procreate application, which keeps a handmade feel and fine detail. The size of each illustration is 21 by 29.7 centimeters.

Continue reading about Chinese Style Coffee Packaging And Posters

Designer: Cansu Dagbagli Ferreira Design: Branding Tag: Graphic

Onshore Roasters

Onshore Roasters brand identity reflects the harmony of luxury, nature, and sustainability. The logo unites a coffee bean, sunbeams, and waves, embodying the ritual of a perfect morning at sea. A carefully chosen earthy palette and recycled paper packaging reinforce the commitment of the brand to elegance and eco conscious values. Inspired by the yachting lifestyle, the design balances simplicity and sophistication, creating a seamless connection between quality coffee and the open waters.

Continue reading about Onshore Roasters Branding

Designer: Daichi Takizawa Design: Visual Identity Tag: Graphic

Honki Factory

The concept is Opening the Path, The Honki Way. It defines Honki as Seriousness, as having a clear goal and taking concrete steps toward it. Those who master the structured approach to business development can use it to create new paths. The desire to foster many Honki individuals is represented in the H shaped frame, symbolizing structure, and the logotype, inspired by a factory, representing production. The variable design of the symbol and font reflects adaptability across all industries and fields.

Continue reading about Honki Factory Visual Identity

Designer: Paul Robb Design: Typeface Tag: Graphic

Rotary Sans

Rotary Sans is an OpenType sans-serif typeface with geometric structures and slight shape variations. It includes pear-shaped ink traps that aid legibility and add a distinct visual element. The typeface provides a full Latin glyph set, plus alternative characters and ligatures, for various typographic uses. Its design emphasizes clarity and consistency, suitable for contexts such as branding. Rotary Sans comes in multiple weights and styles, usable in both digital and print formats where legibility and uniform appearance are needed.

Continue reading about Rotary Sans Typeface

Designer: Vahid Mirzaei Design: Poster Tag: Graphic

Omar Khayyam

Omar Khayyam is a series of urban posters that present the poetry of the Persian poet Omar Khayyam. The posters mark the 975th anniversary of the poet's birth. Each poster combines Persian typography with an English translation placed in the upper left area. The type design draws on classical Persian calligraphy and is refined for legibility in busy public settings. Each poster measures 150 by 107 centimeters and uses CMYK color at 300 dpi. The series was shown in metro stations and other public spaces in Tehran.

Continue reading about Omar Khayyam Poster

Designer: Vahid Mirzaei Design: Educational Graphic Posters Tag: Graphic

Endangered Animal Atlas

Endangered Animal Atlas is a series of educational posters that presents 52 endangered animals. Each animal is illustrated with its English name and its conservation status. The posters support Persian speakers who are learning English, and they also inform readers about the state of wildlife. The illustrations are made with digital painting in a two-color scheme, which keeps every image simple and clear. Each poster measures 100 by 100 centimeters. The series joins vocabulary learning with information about species protection.

Continue reading about Endangered Animal Atlas Educational Graphic Posters

Designer: Cansu Dagbagli Ferreira Design: Branding Tag: Graphic

Grovehood Collective

Grovehood Collective partners with earth friendly boutique farms to create a transparent extra virgin olive oil brand in the Netherlands. The visual identity balances tradition and modernity, emphasizing authenticity and traceability. A vintage inspired label with custom cut details and refined typography reflects craftsmanship and shows all the details of olive origin. The olive with orbits symbol honors the dedication of family run farms whose world turn around this fruit, while an earthy color palette highlights the products natural origins, forming a cohesive packaging system.

Continue reading about Grovehood Collective Branding

Designer: Katsumi Tamura Design: Calendar Tag: Graphic

Typeface

Typeface is a calendar designed around the concept of the typeface. The set contains four sheets. The months from January to December are punched out in an original typeface. Each sheet can be assembled into a three-dimensional unit that displays three months of the year. Assembly is simple and needs no glue or scissors. The sheets are made of pure white cardboard, and the number of fastening points is kept to a minimum. Each sheet measures 140 by 185 millimeters. The calendar can also be displayed as part of a room interior.

Continue reading about Typeface Calendar

Designer: Meng Shenhui Design: Visual Design Tag: Graphic

Fun Community Project

Fun Community Project is the visual identity of a public art event held in Shenzhen. The design uses playful typography, abstract artistic graphics and bright gradient colors. Six abstract graphics refer to the six public art pieces shown at the event. The identity is applied to billboards, printed matter, balloon films, books, artwork introduction boards and scene construction. Clothing, hats and key chains are also produced. The aim is to join art with community life and to invite the public to take part.

Continue reading about Fun Community Project Visual Design

Designer: Luo Baoquan, Feng Jiamin, Lv Zhiwei Design: VI Design Tag: Graphic

High Mountains Flowing Water

High Mountains Flowing Water is a poster and visual identity created for an exhibition of Chinese and Italian art. The design blends Eastern and Western elements to express cultural exchange. The Chinese characters for mountain and water are joined with English letters in one fluid calligraphic motion, and the letters M and W form a shape that recalls a Roman column. A palette of red, white and green refers to the Italian flag. The exhibition title, date and venue are set in larger type for quick recognition. Tote bags, fans and staff badges share the same visual design.

Continue reading about High Mountains Flowing Water VI Design