Design Manner featuring great design, architecture, fashion, graphics and innovation from across the globe.
Discover 745 award-winning designs tagged Graphic on Design Manner.
Holystone is an electronic component provider for 40 years. The piling square elements are made with their products and values, which help Holystone to show the strength and unique technology to the graduates. Logo, poster, shirts, documents, booth decoration, pamphlets, and gifts are all included to build up a strong attraction. The characters with big eyes wide open are looking for potential members, just as recruiting the talented people is like searching under the sea.
Seotun Saram is a corporate identity for a service that connects people seeking help with professional counselors. The name refers to someone who is not yet skilled, and the slogan states that everyone starts clumsily. A fairy tale describes the counseling process for people who are unfamiliar with counseling. The story has two characters: Seotun, a wandering counselee, and Gobukki, a slow but reliable counselor. Warm paper texture, lyrical navy blue of the night sky and hand-drawn icons form the visual system. The intent is to present counseling as friendly, warm and safe.
Lord Qu is a visual identity created for a snack brand in Quzhou, China. The identity presents traditional Chinese food culture in a modern way for younger consumers. A character based on Confucius forms the central symbol, and the hair knot of the character is shaped like a steamed bun. Linear cartoon drawings connect the character with historical motifs such as the flying dragon, the Confucius Temple and auspicious clouds. A pig nose symbol is applied to steamers, tableware, lamps and seat backs in the restaurant space.
Digital Design Days is a brand identity created for an international digital design event. The logo is a responsive sign that adapts to the size of use by changing the frequency of the single elements that form it. The letter D is built from these elements and suggests light, energy and movement. A palette of nine colors marks the different editions and countries, while a line version supports black and white use. The identity works in digital media and in print, at small and at large sizes.
Pizzamax is a brand identity for a small pizza restaurant chain in Lithuania. The earlier identity mixed several graphic styles and gave customers little sense of the brand. The redesign uses a simplified logo with red, black and white, colors linked to classic Italian pizza. The words pizza and max are placed on different sides of the business cards and pizza boxes. The letters M and X have curved ends that suggest bakers carrying pizzas with straight arms. The identity is applied to business cards, letterhead, pizza boxes and clothing.
Route is a poster created as a school typography project. Field research in the city was carried out to record authentic letterforms. An elegant handwritten script found on a van was selected as the inspiration. The double stroke left by markers on the glossy surface forms the main visual language of the poster. The name Route refers to the inspiration photograph, which was taken from a moving car, and to the double lines, which recall the ruts left by wheels. The final poster expresses movement and direction.
"Two of Hearts" is a vector illustration specially created for the collaborative project called "Luck of the Draw" which regrouped artists from around the world to create a unique deck of playing cards. The illustration concept is inspired by the fox from "The Little Prince" fable written by Antoine de Saint-Exupéry. It is a hint to the lesson that the fox teaches about relationships.
In Particular, when the evening came, every house sounds the classic music of Yang Lihue Opera. The Yang Lihua Opera became the common vision of the family. People have real feelings and enjoy visual and hearing impact shock in order to enjoyment level. With an impressive plot and the spirits of traditional Yang Lihua Opera, perfect performance, dazzling costume and great characters to the parents and children become (mysterious and) fairy tale world filled with the traditional opera. The Yang Lihua opera was classic, and with a contemporary edge.
Gan Song is a brand visual identity created for a specialty brand from the Mayang area of China. The design is inspired by the local landscape and Miao culture. Fine lines of varied thickness form the shape of the mountains and of the Jinjiang River. A smiling girl in Miao dress represents harvest and hope. The identity is applied to brochures, cards, envelopes, packaging and outdoor advertising, with foil printing, embossing, laser cutting and gilding. All patterns are vectorized, so the identity can be printed at any size.
The Chinese Children's Book Exhibition organized by Confucius Institute headquarters was displayed to the public at children's hall of Frankfurt Book Fair. From different picture books, the experts selected the ink painting of Liang Peilong as the overall visual design style. Then the designers extracted the elements of ink dots from Liang's paintings, strengthened the saturation, and used them together with paintings. The new visual style not only meets the exhibition demand but also has the orientaltaste. Unique Chinese picture beauty appears on the international stage.
Continue reading about Children Picture Books from China Exhibition Visuals
Listening to Transparency is the visual identity for an exhibition of sound art that presented 44 audio and visual works. The design is based on circular waves that represent sound sources. The waves vary in angle, curvature and colour. The titles are silk-screen printed on transparent PVC in a graduated dot grid, while the waves are printed on cotton paper with Risograph technology. The two layers combine into one image, and turning the printed page reveals the waves. The transparent look reflects the materials used in the artworks and the fleeting nature of sound.
Continue reading about Listening to Transparency Exhibition of Sound Art
13 International Cultural Media is a brand identity created for a multimedia production company active in television programs, films, cultural and creative development and entertainment. The logo is based on the word Thirteen, drawn with hand-painted strokes that express vitality and tension. The Arabic numeral 13 is added as an accent, referring to a meaningful story from the founding of the company. Black and gold are the main colors, chosen to suggest expertise and an international character. On envelopes and stationery, the logo is cropped and enlarged for visual emphasis.
Continue reading about 13 International Cultural Media Identity