Graphic

Discover 745 award-winning designs tagged Graphic on Design Manner.

Designer: Irina Kolosovska Design: Brand Identity Tag: Graphic

Mono Pizza

Mono Pizza is a brand identity created for a pizzeria in the United Kingdom. The name joins the words Mona Lisa and pizza, linking fine art and cuisine. The logo merges the face of the Mona Lisa with the round shape of a pizza. The mark is drawn with the monoline technique and regular graphic shapes, so the calm gaze is suggested without fine detail. Only three colors are used, and the contrast between them completes a clear and minimal composition. The identity is applied to pizza packaging of 320 by 320 by 40 millimeters, printed with Pantone inks.

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Designer: YongQing Liu Design: Branding Tag: Graphic

Tea and Tea

Tea and Tea is a Chinese drink brand whose marketing strategy centers around Chinese tea latte. The logo consists of the lettering Tea and Tea and the Arabic numeral 2, which dominates the trademark and has a distinctive appearance due to the integration of a tea leaf. In combination with a clear, eye-catching color scheme and a straightforward stylistic idiom that informs, for instance, the packaging design and retail displays, Tea and Tea’s visual appearance achieves high brand recognition.

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Designer: Te-Sian Shih Design: Multifunctional Poster Tag: Graphic

Inner Peace

This poster was designed for the musician Cho-Liang Lin and his Taipei Music Academy and Festival. Many people have suffered a lot during Covid-19, and many need to find inner peace and calm. Therefore, Te-Sian, Shih created an abstract peace dove as the main visual using lines. She used blue as the background color and lines to represent how music can heal the heart, allowing people to feel as if they are in a magnificent ocean when they listen to music.

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Designer: xu han min Design: Type Design Tag: Graphic

Speech Bubbie

Speech Bubbie is a typeface designed for Latin letters and Chinese characters. The speech bubble is a graphic convention used in comic book dialogue, and letterforms also suggest emotion in writing. The connection between these two graphic elements led to a new structure for letters and characters based on the comic book form. Strokes are simplified into generic speech bubble shapes, while still following the direction of the original strokes, so readability is preserved. The typeface was first drawn by hand and then produced with vector software.

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Designer: Victor Weiss Design: Visual Identity Tag: Graphic

Victor Weiss

Victor Weiss is a visual identity created for a design studio. The logo is a monogram that combines the letters V and W in an outlined serif style. The brand pattern was formed by taking the letters of the slogan Be Exclusive and spreading them in an organic, almost random order, mixing outlined and filled letters. Printed items include business cards and postal pieces on black paper, produced by letterpress with hot stamping and closed with a wax seal. The identity was developed to express sophistication and exclusivity.

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Designer: Liying Wang Design: Conference Materials Tag: Graphic

Designthinkers

The goal is to design sophisticated conference materials that align with the theme of the year. At times design seems to be a maze, as designers' journey along its tortuous pathways leads to wrong turns, dead ends, and unknown destinations. Liying Wang tries to utilize the maze as a symbol of the design process and its complexities while visualizing the design and creativity process to evoke similar emotions from the audience.

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Designer: Kimhung Choi Design: Visual Identity Tag: Graphic

Oil Street Art Space

Oi is the visual identity of Oil Street Art Space, a public leisure and cultural venue in Hong Kong. The site occupies the former clubhouse of a yacht club and includes a Grade II historic red brick building with a tile roof and an outdoor area of over 3000 square meters. The name replaces the letter L with an exclamation mark, which calls for attention and points to the location. The logo shape shows the act of calling out loud. Green is the identity color, suggesting an oasis for the arts within the city. The identity is applied to environmental graphics and printed items.

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Designer: Chia-Liang Lin Xi-Ting Huang Sheng-Er Yu Design: Packaging Illustration Tag: Graphic

Wonderland Fruit

Wonderland Fruit is a series of packaging illustrations created for fruit products. The illustrations use traditional Chinese art elements, such as attics, cranes and auspicious clouds, to suggest a wonderland atmosphere. The colour tone follows the colour of each fruit, so that the illustration and the product match in visual effect and style. Soft colours are used to join traditional and contemporary visual styles. The series was produced with Adobe Photoshop and Illustrator, and each sheet measures 297 by 420 millimetres.

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Designer: Tangible Design Design: Cinema Visual Identity Tag: Graphic

New 1930

It is expresses the tone and manner of the space in a consistent manner that elevate the efficiency of the brand's communication. It portrays the signage, wall graphic, and pictograms from the wainscoting motif that represents a nostalgic and classic space. Wainscoting is a frame which symbolizes the brand as the platform that brings enjoyable experiences. In addition, the motif is a modern reinterpretation that enables design to be flexible and be applied to various applications.

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Designer: Shawn Goh Chin Siang Design: Branding Design Tag: Graphic

Waaron Kuu's

Waaron Kuu's is a restaurant that represents the six major ethnic cultures of Malaysia. To highlight the overall beauty of the brand, The team used deep purple to emphasize each cultural character and added traditional games and instruments. They also used various local elements to decorate the illustrations, placed in different corners of the restaurant and on bowls and packaging. The design not only presents the six major ethnic cultures of Malaysia but also creates a unique brand image for the restaurant.

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Designer: Gao Pin Design: Visual Communication Tag: Graphic

All We Need is Love

All We Need is Love is a poster that joins Chinese characters with English letters. The design is based on the Chinese character that means love. The character is formed from photographic images and also integrates the English letters l, o, v and e and the number 2023. Photography and graphics processing software were used to create the work, which measures 700 by 1000 millimetres. The poster can be displayed in public spaces. The aim is to show an ancient Chinese character in a modern visual form and to express the idea of unity and peace.

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Designer: sxdesign Design: Brand Design Tag: Graphic

Shan Yi

Shan Yi is a brand identity designed for a smart technology company serving agriculture. The logo uses a shield shape as a visual frame to suggest protection and durability. Inside the shield, the letters S and Y are staggered and linked, referring to the brand name and to the link between smart technology and farming. Patterns of wheel ruts and wheat ears are also included, recalling the autumn harvest. The strokes are of equal width and the logo follows the golden ratio. The mark can be printed, sewn or injection molded in various sizes, including use as a vehicle emblem.

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